Vendor: 色界吧
Type: Paperback / softback
Price: 60.00

Gun-guwelamagapa: Gun-nerranga gun-nerranga rrawa, An-barra gun-nika describes the An-barra Archaeological Project, which investigated the archaeological sites around the mouth of the Blyth River (An-gartcha Wana 鈥� literally 鈥淏ig River鈥�) in central Arnhem Land, in the Northern Territory of Australia. This volume delves into the pre-colonial settlement patterns and subsistence strategies of the An-barra community, set against the backdrop of significant environmental changes during the mid to late Holocene.

The authors provide a detailed analysis of the archaeological findings, comparing them with ethnographic evidence to uncover the history and cultural heritage of the An-barra people. The Traditional Owners, including Betty Ngurrpangurrpa and other community members, actively participated in the research, providing invaluable knowledge and insights. Their support enabled the collection of archaeological assemblages and facilitated the interpretation of findings through the lens of their cultural heritage. This volume is a companion piece to Betty Meehan's earlier work, Shell Bed to Shell Midden (1982), and extends the narrative by integrating archaeological data with ethnographic insights.

Gun-guwelamagapa reveals the relationships between the An-barra community and their environment, highlighting the role of shell middens, earth mounds, and other archaeological features in understanding the past. The authors discuss the significance of these sites, the methods used in their investigation, and the broader implications for interpreting the archaeological record of northern Australia.

Gun-guwelamagapa emphasises the importance of integrating ethnographic and archaeological data to provide a holistic understanding of past human behaviours. It also showcases the contributions of the An-barra community to the preservation and interpretation of their cultural heritage, offering new perspectives on the history and culture of the An-barra people.

Vendor: 色界吧
Type: Paperback / softback
Price: 60.00

Twenty-first century Australia is a nation somewhat obsessed with food. From cookbooks to television screens, we are surrounded by conversations about what and how we eat. This fixation highlights the fact that food is, and always has been, a central component of human culture 鈥� especially in a diverse nation like Australia.

In recent years, this contemporary food focus has increasingly looked to the past for answers relating to health and sustainable practices. While historians in Australia have contributed extensively to these discussions, there has been surprisingly little input from archaeologists. This is even more surprising when we consider that so much of what archaeologists excavate 鈥� such as faunal remains, ceramics and cesspits 鈥� can collectively tell the story of food culture when drawn together and considered as a whole.

To open up this dialogue, Archaeologies of Food in Australia addresses the archaeology of food from deep time to the recent past. It showcases the many varied approaches to the study of food in Australia, from the archaeological sciences (such as zooarchaeology and archaeobotanical analysis) through to discussions of historic kitchens and cookery.

Archaeologies of Food in Australia spans diverse cultural groups, including First Nations peoples, European migrants and Chinese diaspora communities, and examines evidence across millennia. Contributors demonstrate the breadth and richness of archaeological food research currently undertaken in Australia, and in doing so, they address critical questions about diet, cookery, dining and food culture.

In this collection, eight food stories from Australia鈥檚 past have been selected to help open the door to many more readers, and to many more questions. The great depth of time and diversity in Australian archaeology, when coupled with the broad range of skills in the discipline, presents enormous potential for further research.

Vendor: 色界吧
Type: Paperback / softback
Price: 45.00

Zooarchaeology has emerged as a powerful way of reconstructing the lives of past societies. Through the analysis of animal bones found on a site, zooarchaeologists can uncover important information on the economy, trade, industry, diet, and other fascinating facts about the people who lived there.

Animal Bones in Australian Archaeology is an introductory bone identification manual written for archaeologists working in Australia. This field guide includes 16 species commonly encountered in both Indigenous and historical sites. Using diagrams and flow charts, it walks the reader step-by-step through the bone identification process. Combining practical and academic knowledge, the manual also provides an introductory insight into zooarchaeological methodology and the importance of zooarchaeological research in understanding human behaviour through time.

Vendor: 色界吧
Type: Paperback / softback
Price: 60.00

Photogrammetry is the process of obtaining digital three-dimensional models of objects, features, or landscapes from a series of overlapping, focused, and well-exposed two-dimensional photographs. Photogrammetry is becoming standard practice for archaeological analysis, especially since a digital camera now features consistently in an archaeologist鈥檚 tool kit. An archaeological career, however, does not traditionally involve becoming an expert in photography.

Photogrammetry for Archaeological Objects: A Manual explains in simple, easy-to-follow steps all the essential elements of photography, how to design a controlled photography setup, how to shoot in an uncontrolled environment, and how to edit your images so you can develop your proficiency in photography and by extension, photogrammetry. This guide will provide you with a comprehensive introduction to the process of setting up your camera for photogrammetry shooting, the necessary camera positions required to completely capture your artefacts, and how to use these images captured to process and edit your photogrammetry models.

With the aid of 11 different case studies of a variety of archaeological objects, you can develop your understanding of how to approach different archaeological material for modelling purposes; what camera gear and shooting environment is the most suitable, and what camera angles are suitable to correctly capture your object.

Photogrammetry for Archaeological Objects is your go-to guide for building successful and usable 3D photogrammetry models of archaeological material that can be used for analysis, conservation, and educational purposes.

Vendor: 色界吧
Type: Paperback / softback
Price: 50.00

Between the Murray and the Sea: Aboriginal Archaeology in South-eastern Australia explores the Indigenous archaeology of Victoria, focusing on areas south and east of the Murray River.

Looking at multiple sites from the region, David Frankel considers what the archaeological evidence reveals about Indigenous society, migration, and hunting techniques. He looks at how an understanding of the changing environment, combined with information drawn from 19th-century ethnohistory, can inform our interpretation of the archaeological record. In the process, he investigates the nature of archaeological evidence and explanation, and proposes approaches for future research.

鈥楢 carefully crafted and impressively illustrated depiction of the economic and social lives of past Aboriginal peoples who lived in the diverse landscapes that existed between the Murray and the sea. This book will be valuable to both specialists and non-specialists alike, as it provides a foundation for thinking about the remarkable variety of ways Aboriginal foragers adapted to the lands of southeastern Australia.鈥� Peter Hiscock, Tom Austen Brown Professor of Australian Archaeology, University of Sydney

Between the Murray and the Sea: Aboriginal Archaeology in South-eastern Australia explores Indigenous archaeology around the Murray River.

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Type: Paperback / softback
Price: 50.00

Based on ten years of surveys and excavations in Nyiyaparli country in the eastern Chichester Ranges, north-west Australia, Crafting Country provides a unique synthesis of Holocene archaeology in the Pilbara region. The analysis of about 1000 sites, including surface artefact scatters and 19 excavated rock shelters, as well as thousands of isolated artefacts, takes a broad view of the landscape, examining the distribution of archaeological remains in time and space. Heritage compliance archaeology commonly focuses on individual sites, but this study reconsiders the evidence at different scales 鈥� at the level of artefact, site, locality, and region 鈥� to show how Aboriginal people interacted with the land and made their mark on it.

Crafting Country shows that the Nyiyaparli 鈥榗rafted鈥� their country, building structures and supplying key sites with grindstones, raw material and flaked stone cores. In so doing, they created a taskscape of interwoven activities linked by paths of movement.

Vendor: 色界吧
Type: Paperback / softback
Price: 50.00

WINNER OF THE CHIEF MINISTER鈥橲 NT HISTORY BOOK AWARD 2024 AND THE AUSTRALIAN ARCHAEOLOGICAL ASSOCIATION鈥橲 JOHN MULVANEY BOOK AWARD 2023

鈥溾�gabaya painted all this, you know when we were kids we would come here and look and sometimes the paintings would change, they were always changing.鈥� Annie a-Karrakayny

Fully illustrated, Jakarda Wuka (Too Many Stories) draws on a combined 70+ years of collaborative research involving Yanyuwa Elders, anthropologists, and an archaeologist to tell a unique story about the rock art from Yanyuwa Country in northern Australia鈥檚 southwest Gulf of Carpentaria.

Australia鈥檚 rock art is recognised globally for its antiquity, abundance, distinctive motifs and the deep and abiding knowledge Indigenous people continue to hold for these powerful symbols. However, books about Australian rock art jointly written by Indigenous communities, anthropologists, and archaeologists are extremely rare.

Combining Yanyuwa and western knowledge, the authors embark on a journey to reveal the true meaning of Yanyuwa rock art. At the heart of this book is the understanding that a painting is not just a painting, nor is it an isolated phenomenon or a static representation. What underpins Yanyuwa perceptions of their rock art is kinship, because people are kin to everything and everywhere on Country.

Jakarda Wuka highlights the multidimensional nature of Yanyuwa rock art: it is an active social agent in the landscape, capable of changing according to different circumstances and events, connected to the epic travels and songs of Ancestral Beings (Dreamings), and related to various aspects of Yanyuwa life such as ceremony, health and wellbeing, identity, and narratives concerning past and present-day events.

In a time where Indigenous communities, archaeologists, and anthropologists are seeking new ways to work together and better engage with Indigenous knowledges to interpret the 鈥渁rchaeological record鈥�, Jakarda Wuka delivers a masterful and profound narrative of Yanyuwa Country and its rock art.

This project was supported by the Australian Research Council and the McArthur River Mine Community Benefits Trust.